BIPOC vs MENEMY in Hollywood

COSTNER’S LAST STAND

White middle-aged white men are out, as actors, directors or writers.

A new wave of what has been termed by some as anti-white prejudice is causing writers, directors and producers to fear they will never work again. One described the current atmosphere as 'more toxic than Chernobyl', with leading actors afraid to speak out amid concern they will be labelled racist.

The first sign came with one of the most powerful black directors in Hollywood, Oscar-winning Jordan Peele – the man behind box office hits such as Get Out and Us – stated in public that he did not want to hire a leading man who was white. 

'The pendulum has swung so far, everyone is paralysed with fear by the idea anything you say could be misinterpreted and your career ended instantly. There are a lot of hushed conversations going on, but publicly everyone is desperate to be seen to be promoting diversity and too terrified to speak out. It's imploding: a total meltdown.'

… The latest buzzword in Tinseltown is 'Bipoc' – an acronym for Black, Indigenous and People of Colour – and 'Menemy', which means a white, male enemy of the diversity movement. 'Everyone wants to be able to check all the boxes for each new hire,' according to one Oscar-nominated insider. 'Directors normally have a say about who is in their project. Not any more. It's all about 'Bipoc hiring'. And it's coming directly from the heads of the studios who know their jobs are on the line. White middle-aged men are collateral damage. They are the Menemy.'

An actor in his 50s who has worked on some of the biggest shows of the past 20 years described how, during a recent audition, the casting director told him he was 'perfect for the part' but that they had been instructed to hire 'a person of colour' for the role. 'I get it, I really do,' the actor said. 'I understand Hollywood still has a long way to go before people of colour are properly represented on screen but how am I supposed to pay my mortgage, put food on the table? Everyone is terrified. And you can't say anything because then you set yourself up for public crucifixion.'

Dismissing such complaints, however quietly expressed, Selma director Ava DuVernay, now one of the most powerful black women in Hollywood, wrote on Twitter: 'Everyone has a right to their opinion. And we – black producers with hiring power – have the right not to hire those who diminish us.'So, to the white men in this thread… if you don't get that job you were up for, kindly remember… bias can go both ways. This is 2020 speaking.'

…. Such is the culture shift that one studio is now preparing to shoot a film with an all-black cast and crew – a project which should normally give cause for celebration.

But when a white woman, a highly respected executive, was tasked to 'oversee' the production on location, she was told she would receive no on-screen credit. A source from the studio behind the project said: 'The kids making the film are fresh, great new talent. But they are kids. None of them are over 25. Most of them have never been on a movie set, let alone a movie which costs $20 million. They don't know the basics about how union rules work, about taking regular breaks or how long you can shoot in a day.We need to protect our investment and make sure they get up on time and shoot what they need. Otherwise, we could have a multi-million- dollar train out of control.'We're sending this woman, who is brilliant, to run things on the ground. But she won't get any title credit. People won't admit it, they can't admit it, but reverse racism is definitely going on. You could argue that it's a good thing, that this swinging of the pendulum so far the other way is only fair after years of white privilege. But at what cost? Surely it is best for everyone if people are hired on the basis of talent and ability? [hahaha — eat it, you liberal chump - ED] I can tell you, we are hiring people based purely on their ethnicity, gender and social-media profiles.'If you are brown and female and gay then come on in. We're all getting diversity training. We're walking on eggshells during every Zoom meeting. It's got to the point where, if there's a person of colour in the meeting, we can't hang up before they do, for fear of it being considered offensive.'

One film editor who did dare to speak out has seen his career all but destroyed. Nathan Lee Bush, who has shot commercials for corporations such as Budweiser and Nike, criticised a post on a private Facebook group which read: 'I NEED AN EDITOR! Looking for Black Union Editors.'

Bush, who is white, described the advert as 'anti-white racism' and wrote: 'Look what we're asked to tolerate. The people openly and proudly practising racism are the ones calling everyone racist to shut them down, and anyone who dares to speak up is cancelled, their livelihood and dreams stripped from them by a baying mob.'

But voicing his concerns proved disastrous. One of Bush's main clients, the US restaurant chain Panera Bread, vowed never to work with him again and Bush has since been forced to apologise.'I was literally just playing a video game when I casually wrote those words,' he said later. 'All I was trying to say is: 'Is the antidote to past discrimination based on skin colour more retributive discrimination based on skin colour?' I should have, however, realised this was not the time to bring it up. To anyone I offended, I'm very sorry.'

If it weren’t for the fact that I have an incredibly talented, conservative nephew, who after several decades toiling in this cesspit working his way up through script reader, screenwriter, short film producer to finally, his own “major motion picture” being released next month, I’d find this story hilarious; as it is, I find it incredibly sad because, having reached the cusp of success, he may never work again.

But other than my nephew’s personal tragedy, this couldn’t have happened to a more deserving group of self-righteous, hypocritical boors. And won’t it be fun when their replacements discover that the audience for “The Noble Struggle of the Proletariat for Justice and Equality” is no greater than that for “Charlie’s Angels”.

Coming Soon:

And just like Hollywood, Pyongyang loves remakes …